Anytime anyone says in a voice laced with anxiety, "Did you see the family moving in next door?", you always have an idea of where it's gonna go, right? You know what I'm talking about. White flight, gentrification, redlining -- they all have one thing in common -- race and housing. This is the topic that dominates Bruce Norris' Tony Award and Pulitzer Prize winning play, now receiving a searing production at the Rep's Studio Theatre. Written in 2010, it's an extension of Lorraine Hansberry's 1959 play, A Raisin in the Sun, picking up where it left off.In the first act, it's 1959 and Bev (Nancy Bell) and Russ (Mark Anderson Phillips) are packing up the house preparing for their move out of Clybourne Park, a middle-class Chicago neighborhood. The act starts slowly, but lays down clean strokes introducing one of the central families. They eventually get a visit from Jim, their local priest (Eric Gilde), who is gently pushed by Bev to have a talk with Russ. The reason remains a bit of a mystery for now, but Jim doesn't get too far, anyway. Then a Rotary Club associate, and head of the neighborhood association, Karl (Michael James Reed) and his pregnant wife Betsy (Shanara Gabrielle) drop by. Karl is agitated because he has learned that the buyers for Russ and Bev's house are a black family. He's concerned that this will bring the property values down, and after a failed effort to get them to move somewhere else, he visits Russ and Bev to try to get them to back out of the sale. Russ and Bev weren't aware of the race of the family buying the house, and they don't really care too much. However, Karl's frustration escalates.
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| Tanesha Gary (Francine) and Nancy Bell (Bev).©Photo by Jerry Naunheim, Jr. |
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| Michael James Reed (Karl), Chauncy Thomas (Albert),Nancy Bell (Bev), Shanara Gabrielle (Betsy),Tanesha Gary (Francine) and Eric Gilde (Jim).©Photo by Jerry Naunheim, Jr. |
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| Tanesha Gary (Lena), Chauncy Thomas (Kevin),Mark Anderson Phillips (Dan), Shanara Gabrielle (Lindsey)and Michael James Reed (Steve).©Photo by Jerry Naunheim, Jr. |
Scott C. Neale's impressive set undergoes a marvelous transformation between acts from comfy middle-class bungalow to run-down eye-sore. The set is complimented by Ann G. Wrightson's lighting design and Tom Haverkamp's sound design, and Lou Bird's distinctive costume design rings true for both time periods.
This play proves that all of the social graces in the world can't cover up the fearful and hostile nature of these characters once the veneer starts to crack. Its relevancy is sobering, but definitely worth checking out.
CLYBOURNE PARK
Written by Bruce NorrisDirected by Timothy NearLoretto-Hilton Center, 130 Edgar Roadthrough November 18 | tickets: $47 - $60Performances Tuesdays at 7 pm, Wednesday to Friday at 8pm, Saturdays at 5pm, Selected Saturdays at 9pm, Sundays at 2pm and 7pm
Cast:Mark Anderson Phillips* (Russ/Dan), Nancy Bell* (Bev/Kathy), Tanesha Gary* (Francine/Lena), Eric Gilde* (Jim/Tom/Kenneth), Chauncy Thomas* (Albert/Kevin), Michael James Reed* (Karl/Steve) and Shanara Gabrielle* (Betsy/Lindsey).* Member Actors' Equity Association
Creative:Scenice design by Scott C. Neale; costume design by Lou Bird; lighting design by Ann G. Wrightson; sound design by Tom Haverkamp; stage manager, Champe Leary.



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